Drone

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

Directed by Simon Bouisson, Drone leans on a strong ensemble — Marion Barbeau, Eugénie Derouand, Cédric Kahn — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2024.