
George Carter, a revolutionist in South America, is the exact double of Frederick Marston, a famous artist in Paris. Carter is betrayed by a comrade and is sentenced to be shot. He takes a desperate chance and escapes on board a vessel bound for London. In Paris Marston is stabbed by a model because he does not return her love. The wound incapacitates him from painting, and leaves an ugly scar, and he goes to America on a vacation. Highwaymen attack him, inflicting injuries which cause a total loss of memory. The robbers leave nothing in his pockets but the key to his Paris studio, and Marston adopts the name of Robert Anglo-Saxon.
Directed by John Francis Dillon, The Key to Yesterday leans on a strong ensemble — Carlyle Blackwell, Edna Mayo, Gypsy Abbott — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1914.
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