Pretty-Arne and Rosa

Denmark, 1967. In the midst of a cultural renaissance, all cultured people want to support Danish cinema, especially when it receives funding from the film fund to shoot scenes on location in a bank. The respectable bankers naturally agree to play extras in their own bank and be a little cultured for just one evening. No one suspects that the film's script is the work of "Grosserer Nielsen" from Vesterport, alias "Smukke Arne." No one suspects why "Karate Smutti" is having a field day teaching physical exercises. No one suspects why little Mrs. Jensen in the attic across from Aktiebanken has two nice lodgers. No one knows why Rosa—Dad's own pet—is fussing over her window boxes in the porch. WHO relieved Aktiebanken of 2 million stray dollars is a mystery—except to Judge Vinter. But Handsome Arne and Rose are enjoying an expensive and wonderful vacation—far, far, far away from Denmark.

Directed by Sven Methling, Pretty-Arne and Rosa leans on a strong ensemble — Morten Grunwald, Judy Gringer, Emil Hass Christensen — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1967.