
Mary is a young girl, daughter of shepherds, promised in marriage to Joseph, a widower with two children, living in the nearby village of Nazareth, in the Galilee of two thousand years ago. Grown up in love and respect for the little ones, Mary, after leaving her home, soon sees the distortions of the patriarchal world surrounding her, starting with her husband's family. Here he reads the oldest brother of Joseph, Mordecai. The sunny and determined attitude of the girl, protective of children, arouses the indignation of the head of the family and those who are convinced of the need to give them punishment, discipline and submission.
Directed by Guido Chiesa, Let It Be leans on a strong ensemble — Ahmed Afiene, Djemel Barek, Nadia Khlifi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2010.
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In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
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