
With her green bow in her hair, a naïve Dorothy from the Wizard of Oz embodies an aspect of the artist’s own personal context. She is dreaming about going beyond the confines of her urban surroundings, amongst thousands of flickering windows in apartment blocks, to travel somewhere over the rainbow. As she stumbles upon her yellow brick road, a bedside telephone, her communications take her far far away, becoming entangled in her obsession with connecting to this far away place. Swept into a cyclone of dizzying imagery, she becomes somewhat more realized, sceptical about who she is and her dreams. Much like the ubiquity of television, her dreams are nothing more than commodified imagination that has nonetheless shaped her life. In this fairy-tale land, she desperately tries to find her way back home.
Directed by Bjørn Melhus, Far Far Away leans on a strong ensemble — Bjørn Melhus — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1995.
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A portal transports Cpt. Artemis and an elite unit of soldiers to a strange world where powerful monsters rule with deadly ferocity. Faced with relentless danger, the team encounters a mysterious hunter who may be their only hope to find a way home.
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