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Directed by Vladimir Ballyuzek, Hamburg leans on a strong ensemble — Georgiy Sprantse, Ksana Zapadnaia, Konstantin Garin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1926.
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In postwar Germany, an American psychiatrist must determine whether Nazi prisoners are fit to go on trial for war crimes, and finds himself in a complex battle of intellect and ethics with Hermann Göring, Hitler's right-hand man.
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