
Ruth Hamilton, from a wealthy aristocratic family, cares little for society or its conventions and refuses the proposal of William Barton, a socialite of her parents' choice. While giving some poor children an outing on a beach, Ruth meets John Martin (Miles?), a young nouveau riche with no social standing who is snubbed by the aristocratic circles, and begins to visit him secretly. When Ruth visits John to show off a new costume, her father arrives to seek his financial aid. Ruth escapes, but she is observed by Barton, who informs her father. Hamilton insists that Martin marry his daughter, but Ruth refuses to be compromised by her father. Later, however, she consents to marry John, discovering that he really loves her.
Directed by Kenneth S. Webb, Without Fear leans on a strong ensemble — Pearl White, Robert Elliott, Charles Mackay — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1922.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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