
When she was a child, Ludmilla was the treasure of her parents, She worked, sewed, washed, and spun as much as seven ordinary people, and Ludmilla was “As Pretty as Seven.” But on account of her pretty face, everybody stared at her; and, as she did not like this, she put a veil over her face. The young peasant beyond her beauty is a humble woman who doesn't rely on her beauty alone but her strength of character, her education and on true love. The poor farmer's daughter veils her face, but that doesn't prevent Arthur, the Prince of the kingdom from recognizing her true inner beauty and falling deeply in love with her. The King cannot accept such a union. Her parent's farmhouse is burned. To save her life, she decides to change her identity by disguising herself as a valet and will henceforth be called Misfortune. “As Pretty as Seven was once my name, But it changed to Misfortune when here I came.”.
Directed by Carsten Fiebeler, Siebenschön leans on a strong ensemble — Xenia Assenza, Franz Dinda, Michael Kind — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about family titles of 2014.
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Peasant children Mytyl and Tyltyl are led on a magical quest for the fabulous Blue Bird of Happiness by the fairy Berylune. On their journey, they're accompanied by the anthropomorphized presences of a Dog, a Cat, Light, Fire, and Bread, among other entities.
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