
One of the few Armenian fictions of the 1940s, this parable about the aftermath of World War II reveals the director's deeply humanistic vision, who finds the epic and the universal in minor and private subjects.
Directed by Hamo Bek-Nazaryan, The Daughter leans on a strong ensemble — Avet Avetisyan, Hrachia Nersisyan, Sofia Volkhosvskaia — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1942.
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