
Yuka is a “good-time girl” from Yokohama who is persuaded by her papa to sleep with a foreign business executive so that he can close an important deal. Nakahira presents a shrewdly observed portrait of a modern, sexually assertive woman—an unsettling character for a changing but still patriarchal society.
Directed by Kō Nakahira, Only on Mondays leans on a strong ensemble — Mariko Kaga, Tanie Kitabayashi, Akira Nakao — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1964.
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