
The film is a 35 meters long fragment, the remainder of a strongly decayed print, enough though to let us recognize the diva Pina Menichelli, here happy bride first and then melancholy loner. A sign on the print has allowed to identify it as the film “Gemma di Sant’Eremo”, a title that according to Vittorio Martinelli, reveals the reshaped version of “La colpa”, played two years before by the Italian diva and never distributed for censorship reasons.
Directed by Alfredo Robert, La Gemma di Sant'Eremo leans on a strong ensemble — Pina Menichelli, Alberto Nepoti, Gabriel Moreau — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 1918.
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