
Two identical houses accommodate two unequal families: the Guerra and the Salvador. The Guerra family breaks up when Joaquín abandons his wife Mónica and his three children. But that same day, Arturo and Teo Salvador, a father and his son who have lived alone since the death of their mother, arrive at the neighboring house. Thus begins a confrontation between two opposing paternity models: the tender and present father, against the one who renounces and forgets. But how and why do these families look for each other, or get lost, or find each other without knowing that they have been lost? An innocent prayer on the mountain will trigger danger, illusion, laughter, fear and the conquest of these boys alone in a forest of questions, violence, but also mercy.
Directed by Marco de la Torre, Contigo voy leans on a strong ensemble — Williams Arauz, Christoph Baumann, Jashua Fiallos — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2022.
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When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
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