
Set between a numbing, malodorous factory and the demi-monde of nocturnal Tangier, two street-smart young women work tirelessly to move on with their lives. By day the fast-talking, live-wire Badia and her quiet friend Imane peel shrimp in a factory; by night, they hit the seaside hotels, turn tricks and steal small objects from their clients to pawn. One night they meet two pretty girls their own age who work in the Free Zone of Tangier, a heavily guarded, European-style industrial area. The determined Badia hates peeling shrimps and sees the two new girlfriends, who are slightly better off, as a springboard.
Directed by Leila Kilani, On the Edge leans on a strong ensemble — Soufia Issami, Mouna Bahmad, Nouzha Akel — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2011.
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Marianne Winckler relocates to the port city of Caen in order to pass herself off as a member of a large community of itinerant workers desperate to make ends meet. She gains employment as a cleaner on a ferry travelling between Ouistreham and Portsmouth, recording the drudgery of the work she and her colleagues are required to do.
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