
In 1990, the Louvre invited the French philosopher Jacques Derrida to create a visual and philosophical product based on the materials of the museum's exposition. The philosopher chose the image of a blind man in painting. In the film, Jacques Derrida reflects on the drawings of the Louvre's "Parti-pri" exposition. The director captures the emerging thought and, with the help of various representative means, allows us to see the rapprochement that Jacques Derrida establishes between the gesture of the artist and the gestures of the blind man.
Directed by Jean-Paul Fargier, Memoirs of the Blind leans on a strong ensemble — Jacques Derrida — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1991.
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