
Gaston, nicknamed Pilou, has left his native village and Yvette, the girl of his heart, to go to Paris where he has found work as a painter. He is a naive good-natured man who, like most of his fellow-workers, favors a little song or two while he works. For the time being he is busy repainting the exterior of a block of flats and, when he does not sing to pass the time, he looks through the windows, observing the tenants in their daily lives. As time goes by, he goes as far as intervening and changing the course of their lives. In the end, despite having found a lookalike of his fiancée, he returns to her.
Directed by Gilles Grangier, By the Window leans on a strong ensemble — Bourvil, Suzy Delair, Michèle Philippe — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1948.
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Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!
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