
After becoming a teacher, Janis Lazdan returns to his native village in Latgale. In Novie Gudani, he sees black cassocks everywhere. Nuns sit at the bedside of his sick mother. The girl he loves, Lienite, is dressed in the black habit of a novice. Anton, Janis' childhood friend, has become a priest. A struggle begins between Janis and Anton, a subtle psychologist, over Andris, a sickly boy who is extremely impressionable and gifted. Janis understands that the power of the church lies in the indifference of non-believers. He believes in his own strength and love for his loved ones.
Directed by Ada Neretniece, Māris Rudzītis, Pieviltie leans on a strong ensemble — Eduards Pavuls, Valdemārs Zandbergs, Astrīda Kairiša — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1961.
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