
Newly arrived in the nineteenth century court of Emperor Francis 1st of Austria Countess Valerie happens to overhear a young pianist and advises him to play with more feeling, for he is playing a piece by Franz Schubert, her favorite composer. Unknown to Valerie, the man is Schubert, and he playfully keeps his identity a secret. Valerie visits Franz the next day, and he teaches her to play the violin part of a new song he has written, and she hopes for romance though he still longs for his lost love Caroline. But as a week passes, he forgets Caroline and returns Valerie's affections. When Franz is evicted, there is much tumult, but he is finally called to court where his music is celebrated, and Valerie and he are reunited.
Directed by James Tinling, Love Time leans on a strong ensemble — Pat Paterson, Nils Asther, Herbert Mundin — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1934.
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A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.
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