
In Paris, Ismaél, a young Tunisian, cares for two brothers, Nouredine, a cripple, and streetwise Mouloud, 14. In haste, Ismaél and Mouloud go to Marseilles where an uncle lives. Nouredine has died in a fire, and Ismaél feels guilt on top of grief. Ismaél becomes friends with Jacky, a white man whose father and brother hate immigrants. Mouloud hangs out with cousin Rhida who breaks Islamic rules and deals hash. Ismaél decides Mouloud must return to Tunisia, but the boy runs off, becoming an acolyte to Rhida's supplier. Ismaél and Jacky's Arab girlfriend start an affair, friends betray friends, and the racism gets ugly. Can Ismaél rescue himself and Mouloud or will life in France crush them?
Directed by Karim Dridi, Bye-Bye leans on a strong ensemble — Sami Bouajila, Nozha Khouadra, Philippe Ambrosini — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1995.
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Jean and Otto, a French newspaperman and a young German Francophile, are fighting for peace in Europe. Jean’s daughter, Corinne, is launching a brilliant acting career in the film world, but war breaks out and France is occupied. The two friends have a major role to play in this new France. Jean becomes a big press baron and an ardent advocate of collaboration with the occupying forces, while Otto becomes the Reich’s ambassador in Paris. Corinne, meanwhile, finds herself thrown into the lion’s pit.
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