Colour

A painter (Kamal Addaraarachchi) has a girl that calls him uncle. She asks for his consent to marry a rich boy. He opposes by saying rich men only care about money. Then he relates his past to the girl. Then the story moves to a flashback. The painter has had a relationship with a girl from a rich family during his youth. He meets her in an art gallery and then gradually develops a relationship which culminates in making her pregnant. Then she requests him to meet her parents and she lies to them that he is a wealthy and rich person. In disgust, he leaves her. Then, after a long time, he finds out that she had lied to marry him. In other words, to get her parents' consent. He ultimately finds that the boy in the story is his son and his fiancée had died at the time of delivery. At the end of the story he commits suicide. At the end of the film the girl finds the painter dead on the floor.

Directed by Isuru Weerasinghe Mudali, Colour leans on a strong ensemble — Kamal Addaraarachchi, Kriz Chris Henri Harriz, Ludmila Kirilova — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 0.