
Michael Keenan's film Rain takes us in from the main title to the payoff of its namesake. The heat and the throbbing music provide the indolent rhythm of the troubled life of Alex the cabdriver. The story is simple: New York as Hell. The noise, the sensory intrusions and the blistering heat don't stop those who can't leave from going about their business, forcing them into their own worlds sometimes to extreme degrees. Alex keeps moving, her taxi as metaphor, and waiting. Waiting is an active verb here. The sound effects, score, and chaotic images of New York captured by Robert LoScalzo come alive as the workings of Alex's interior anguish as well as the real exterior of the City.
Directed by Michael Keenan, Rain leans on a strong ensemble — Cynthia Pruitt, William Rice, Irma St. Paule — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1989.
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