
We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.
Directed by Giuseppe Bertolucci, Pasolini prossimo nostro leans on a strong ensemble — Pier Paolo Pasolini, Franco Merli — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 2006.
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A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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