
Ismael breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later, Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her, a strange bond develops that causes him to delay the ransom request or fulfil his threats of throwing her in front of a train. But he can’t delay forever…
Directed by Juanma Bajo Ulloa, The Dead Mother leans on a strong ensemble — Karra Elejalde, Ana Álvarez, Lio — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1993.
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