
The audience is watching genderqueer rock singer Hedwig Robinson's musical act as she follows rockstar Tommy Gnosis' (much more successful) tour around the country. Occasionally Hedwig opens a door onstage to listen to Gnosis's concert, which is playing in an adjoining venue. Gnosis is recovering from an incident that nearly ruined his career, having crashed his car into a school bus while high and receiving oral sex from none other than Hedwig. Capitalizing on her notoriety from the incident, Hedwig determines to tell the audience her story.
Directed by Peter Askin, Hedwig and the Angry Inch leans on a strong ensemble — John Cameron Mitchell, Miriam Shor, Stephen Trask — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about music titles of 1998.
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