
Ten-year-old Čurkstiņš is both an ordinary and unusual modern boy who, in his wanderings around the outskirts of his town, is never far from his two passions: his camera and his white cat, Watson. Čurkstiņš has a rich library of detective novels at home. The books he has read clearly influence his perception of the world around him, but the boy also possesses enormous patience and a sense of honesty. All of this suggests that he has the potential to be a talented investigator. During the course of the film, the boy, without realizing it, has done his first investigative work, exposing the cunning money-grabbing and hiding mechanisms of the fisherman Mellup. Čurkstiņš has evidence that the police officers lack. Gathering this evidence, of course, involves difficulties, risks, and clever solutions, which also form the plot of the film, but it all began with the lies of adults, against which the little boy protests internally and begins his great work.
Directed by Imants Krenbergs, Kroņa numurs leans on a strong ensemble — Pēteris Žihars, Vilnis Margēvičs, Līga Kliesmete — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1986.
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A tale about two young boys, Prosper and Bo, who flee to Venice after being orphaned and dumped in the care of a cruel auntie. Hiding in the canals and alleyways of the city, the boys are befriended by a gang of young urchins and their enigmatic leader, the Thief Lord. From their home base of an old cinema theater, the children steal from the rich to support themselves and soon capture the interest of a bumbling detective. However, a greater threat to the children is something from a forgotten past - a beautiful magical treasure with the power to spin time itself
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