
The staging is simplistic: a doll, a man and some tools. All these elements are brought together in a basement lit by several spotlights. The Man is a body and a conscience. His role is the infinite potential of sadistic will. The sexual drive, fueled by alcohol and drugs, is so strong that it erodes the carnal envelope, from the epidermis to the nerves. The doll, a model for medical simulations, is nothing but plastic. Plastic, but icon, symbol and, consequently, marked by unheimliche. A man possessed by a libidinal frenzy and a doll with feminine forms.
Directed by Frédérick Maheux, Theory of Religion leans on a strong ensemble — Serge de Cotret, Ffej, Frédérick Maheux — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2010.
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