
Have I committed a crime? Lamm cannot answer this question. But maybe it doesn't matter. After all, a mistake has been made, and now he can leave town. He thinks not of the chandelier, not of the look on the executioner's face in the tavern, but of the woman who slapped him the night before, the woman who now lies motionless before the wall, as still as a pebble. Is that the punishment? Lamm was pardoned. But the punishment only begins now, now, when the dead city disappears forever into the woods.
Directed by József Pólik, Sándor Cs. Nagy, Lamm leans on a strong ensemble — Domokos Szabó, Júlia Nyakó, István Anga Kakszi — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1999.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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