
Fifteen-year-old Céline knows more about life than is appropriate for her age. She wanders the streets, surviving, with the help of her boyfriend Romain, thanks to her defiance and ruthless practicality. She secretly sleeps in the garden house of a luxury villa, where one evening she is discovered by the owner, Judge Henri van Eyck. Despite his wife Nathalie's reticence, he takes the girl in and Céline gradually gains their goodwill and affection. The fragile balance of their mutual trust, however, comes in serious jeopardy when the web of lies the girl has told her protectors begins to unravel, revealing her real motives.
Directed by Olivier Coussemacq, Sweet Evil leans on a strong ensemble — Anaïs Demoustier, Pascal Greggory, Ludmila Mikaël — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2010.
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Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.
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