
With the non-existing word “refugee-dom” Lena Verhoeff and I wanted to express the state, emotional and physical, of the life of the refugee on the road. On everyday television, we see images of people walking with luggage and small children and exhausted faces. But our theme was a bit different. The phrase “lonely but not alone” came from an autobiography of former Dutch queen Wilhelmina, published in 1959, to describe her life as always surrounded by a dense crowd of people at court but still, always feeling lonely. The two qualifiers, lonely and alone, which seem to be synonymous, are here, through the conjunction “but”, rather presented as an opposition; an opposition qualifying a non-existing noun.
Directed by Mieke Bal, Lena Verhoeff, Refugeedom: Lonely But Not Alone leans on a strong ensemble — Sly Maceo Sampimon, Catherine Lord, Arthur Clifton — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2023.
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