
In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.
Directed by Martin Šulík, Orbis Pictus leans on a strong ensemble — Dorota Nvotová, Marián Labuda, Božidara Turzonovová — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1997.
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With the aid of a fellow Auschwitz survivor and a hand-written letter, an elderly man with dementia goes in search of the person responsible for the death of his family.
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