
With a smile and beautiful words, you can create trust, build sympathy and sell your counterpart everything within four minutes. Welcome to the call center, the collection point for lifelong dreams in financial straits. If you're young and need money, you've come to the right place under the headset in the small telephone box. Sascha Wegemann has the best prerequisites when he enters the open-plan office of a Cologne call center for the first time. He has a way with words, the 30-year-old is sure of that. After all, he has what it takes to become the biggest presenter on German television, even if he has so far only worked as a crowd-pleaser for a chart show. Reality catches up with Sascha when his girlfriend Astrid becomes pregnant. What is more important, career or family, dream or responsibility? Sascha can't make up his mind.
Directed by André Erkau, Selbstgespräche leans on a strong ensemble — Johannes Allmayer, Maximilian Brückner, August Zirner — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 2008.
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12-year-old Henry Rowengartner, whose late father was a minor league baseball player, grew up dreaming of playing baseball, despite his physical shortcomings. After Henry's arm is broken while trying to catch a baseball at school, the tendon in that arm heals too tightly, allowing Henry to throw pitches that are as fast as 103 mph. Henry is spotted at nearby Wrigley Field by Larry "Fish" Fisher, the general manager of the struggling Chicago Cubs, after Henry throws an opponent's home-run ball all the way from the outfield bleachers back to the catcher, and it seems that Henry may be the pitcher that team owner Bob Carson has been praying for.
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