
Dina is a young Russian filmmaker working on a film about Stalinist repressions and the massive intergenerational trauma they caused that continues to resonate in modern-day Russia. Together with her friend Johan, a German sound designer whose grandfather went missing in the USSR during the Second World War, she embarks on a journey to the former Soviet labour camps. Almost deserted, the abandoned lands of Gulag still bear traces of those who perished there. Although this trip becomes somewhat therapeutic for the two of them, it also puts their relationship to the test.
Directed by Toma Selivanova, Dolomite and Ash leans on a strong ensemble — Toma Selivanova, Anton Rival, Petr Skvortsov — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2024.
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The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.
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