
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.
Directed by Roberto Gavaldón, Macario leans on a strong ensemble — Ignacio López Tarso, Pina Pellicer, Enrique Lucero — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1960.
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In 60s Extremadura, Paco el Bajo and his relatives work during day in a farmhouse, and silently suffer submission to their masters, who exploit them and treat them almost like animals. Meanwhile, Paco dreams that one day his children will be able to study.
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