
On a rainy vacation day in a hotel room in Yugoslavia, a 40-year-old father and his adolescent daughter are bored. In the free-flowing surroundings, the dreams he once had in his youth come back to life in him. The game becomes almost serious. Only the presence of his daughter makes him realize that there is no way to start a new life without acting irresponsibly towards his child. And so he is left with a quiet resignation and the hope that his daughter will do better one day.
Directed by Tom Toelle, Im Kreis leans on a strong ensemble — Manuela Dahm, Heinz Bennent — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1970.
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Time passes and tension mounts in a Florida police station as an estranged interracial couple awaits news of their missing teenage son.
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