
The film mocks the stereotypical image of Caucasians and Georgians. False representations of the Caucasus are satirized: Kakhuri wine flows like a spring on a narrow street of Tbilisi, which is drunk with wine glasses; Barbers shave their clients with a dagger, and if something offends them, they cut them with the same dagger; And A dancing Georgian woman dancing is observing all these without any emotion.
Directed by Mikheil Gelovani, True Caucasian leans on a strong ensemble — Sofia Jozeffi, Pavel Znachkovsky, Arus Ashimova — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1931.
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