
The boy Stefan brings the supper to his father in village council office. From the frontier post comes the news that bandits have crossed the border. The boy goes back home. He and his sister prepare to go to bed. A blizzard is raging outside. A wounded stranger comes to the house in search of shelter. The mother dresses his wounds and gives him food. It becomes clear that he is not the lieutenant from the frontier post that he claims to be. Stefan jumps from the window and dashes to the frontier post. The mother tries to keep the saboteur as long as possible. The two quarrels. He hits her with the submachine gun. He attempts to escape, but the border guards have already surrounded the house.
Directed by Nikola Minchev, The Border leans on a strong ensemble — Kunka Baeva, Ivan Bratanov, Boris Milushev — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about war titles of 1954.
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During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain.
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