
Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
Directed by Isabelle Prim, La rouge et la noire leans on a strong ensemble — Jean-Pierre Beauviala, Luc Moullet, Thora Van Male — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about crime titles of 2011.
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