
In a messy room, a slap knocks a woman to the floor. The attacker appears deranged, bathed in anger and tears. The reason that leads the two, apparently old acquaintances, to this state is not immediately revealed. We are quickly transported to another time, the 70s: violence, repression, dictatorship, the hippie generation, the counterculture. We met these two women, now friends, in a movie theater. Here begins a puzzle to be put together, where present, past and illusion mix and become confused.
Directed by Marcelo Brennand, Duas Mulheres leans on a strong ensemble — Gilda Nomacce, Malu Bierrenbach, Miriã Possani — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2016.
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Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
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