
Phil and Jay share more than a family bond - failed careers, failed relationships, bottomless drinks, and a debilitating memory of a shocking encounter in a ravine one childhood day. The pretext of being strangers, the darkly comic ritual that the broken, non-functioning brothers perform in an attempt to get at their pain, can't cover the palpable connection between them, nor their deeply felt desire to find redemption. An accomplished pianist, Jay is working as a piano player in a lounge. Mike, one of the bar's patrons, makes a request for Jay to play Maurice Ravel's "Pavane pour une infant defunte", which Jay refuses. This act masks an underlying secret both men share about their childhood.
Directed by Paul Quarrington, Pavane leans on a strong ensemble — Shaughnessy Bishop-Stall, Cathy Current, Luzette de Belchior — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2008.
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Clara and her two sons escape from her abusive husband with little more than their car and plan to start over in New York. After the car towed away, the family meets Alice, who gets them into an emergency shelter. While stealing food at a Russian restaurant called ‘Winter Palace’, Clara meets Marc, who has been given the chance to help the old eatery regain its former glory. The ‘Winter Palace’ soon becomes a place of unexpected encounters between people who are all undergoing some sort of crisis and whom fate has now brought together.
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