
Tokyo at the beginning of the 21st century, its inhabitants and artists. An observation and diagnosis of the modern Japanese metropolis: the singularity of unusual creative individuals is merely a response to the majority Japanese society. Even this can appear as an eccentric work of art. So where do the borders lie? A psychologist talks about the autistic way of life burgeoning in the dense population of the country. A noise musician speaks of her inspiration from sado-masochistic bondage as an art form. A programmer specializing in computer games assures us: I can distinguish our world and “the other side”! Why are the robots in Japanese comic books almost always affable and positive characters? Will “love hotels”, the unique designer havens for sexual experiences, become extinct in the future? Photographer Nobuyoshi Araki sees noise as one of the fundamental aspects of Tokyo life.
Directed by Kristian Petri, Johan Söderberg, Jan Röed, Tokyo Noise leans on a strong ensemble — Bonzan Watanabe, Mayuko Hino, Haruhiko Shono — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 2002.
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Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
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