Frankenstein

A horror film told in three parts, from three perspectives, in which a mysterious transmission that turns people into killers invades every cell phone, radio, and television.

Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.

Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a personality-splitting drug that he has tested on himself, changing him into an uninhibited brute who seeks violent and undignified pleasures. Jekyll quickly becomes addicted to the sordid freedom induced by the drug. He can commit the most enjoyably revolting deeds, then return to his laboratory and use an antidote to change back to his original form, so that his lofty persona remains untarnished.

On Halloween night, a sorority house is overrun with ghosts, while a vengeful housemother goes on a killing spree.