
Aline is Michel's daughter, whom he has taken away for the holidays. Aline agrees: she knows how much her father needs love. She knows it so well that she encourages his romance with Julie, a social worker. And Michel succumbs because she feels just as great a need for love as he does. But Léo, Julie's ex-lover, a junkie and car thief, is hanging around. Three adults in need of love. A need that Michel wanted to fill first with Aline, then with Julie. But the void is too great. Aline knows this, and that's why she agrees to love him, her father. For real, this time.
Directed by Carole Laganière, Aline leans on a strong ensemble — Philippe Volter, Véronique Quinn Chasle, Dominique Leduc — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about comedy titles of 1993.
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How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
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