
Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.
Directed by Amiri Baraka, The New-Ark leans on a strong ensemble — Amiri Baraka, Maulana Karenga — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about documentary titles of 1969.
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A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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