
Middle-aged Yeong-gyeong and Su-hwan meet at the wedding party of a common friend. She passes out drunk, and he carries her home on his back. Soon this becomes a daily ritual, as the two broken beings – one’s spirit consumed by alcohol and the other’s body sapped by arthritis – begin to find strength and solace in each other. Their gentle, platonic bond – outside society, outside history – offers a chance at salvation, but is severely stressed by Yeong-gyeong’s repeated relapses.
Directed by Kang Mi-ja, Spring Night leans on a strong ensemble — Han Ye-ri, Kim Seol-jin, Kim Sun-jae — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 2025.
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The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
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