
Longtime friends and frequent foils, Allen Ginsberg and Gregory Corso appeared onstage together countless times over the years, reading to audiences that sometimes numbered in the hundreds or thousands. On January 9, 1984, Robert Frank filmed Ginsberg reading his poem “White Shroud,” while Corso read a poem he had written the night before, some turgid verses on priapic preoccupations. — Museum of Modern Art
Directed by Robert Frank, Ginsberg/Corso Tapes leans on a strong ensemble — Gregory Corso, Allen Ginsberg, Peter Orlovsky — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 1984.
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When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego—Dorothy Michaels—in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
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