The Mystic Hour

Guido, an artist, is obsessed with the desire for the death of Clavering, a rich man who has entered into a forced marriage with Margaret, the girl whom Guido loves. The thought accompanies him in his work, his sleep and fills his every moment. One night, he awakens from a dream in which he has murdered Clavering. The next morning, Clavering is found murdered and Guido labors under the uncanny feeling that he is the murderer. Hoping to relieve Guido's fears, Margaret induces him to paint the picture of his dream. Clavering's butler sees the painting of his dead master, and is so horror stricken that he confesses to murdering Clavering for his money.

Directed by Richard Ridgely, The Mystic Hour leans on a strong ensemble — Alma Hanlon, Charles Hutchison, John St. Polis — to carry a story that balances spectacle with character.

The film landed with audiences for its craft and performances, and remains one of the most talked-about mystery titles of 1917.