
Bill Clayton is known as Broadway Bill because he is the most prominent Bill in the night life of the white way. Muriel loves Bill, but loathes his mode of life, and for her sake he goes to Underwood's lumber camp to work the alcohol out of his system. Hardigan. the foreman, thinks he is sent to spy upon his actions and makes several efforts to get rid of him, but in the end Bill thrashes the foreman, takes his place and wins the girl, though not before a curious chain of cross, purposes.
Directed by Fred J. Balshofer, Broadway Bill leans on a strong ensemble — Harold Lockwood, Martha Mansfield, Stanton Heck — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about romance titles of 1918.
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The final part of the film adaption of the erotic romance novel Gabriel's Inferno written by an anonymous Canadian author under the pen name Sylvain Reynard.
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