
Jim Blake, the playboy son of a New York millionaire, heads west to prove himself a man. He goes to work on his father's ranch in Wyoming, and eventually wins over the locals by turning the tables on a town bully and trying to collect damages from a railroad magnate, whose trains have killed many of the Blake ranch's cattle. When the railroad refuses to pay, Jim comes up with a plan that will make them pay far more than they originally had to. Problems arise when he falls in love with Alice, the railroad magnate's daughter.
Directed by Émile Chautard, All Man leans on a strong ensemble — Robert Warwick, Mollie King, Gerda Holmes — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about western titles of 1916.
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Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
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