
Effendi (Kamsul), a songwriter, experiences bad luck. His songs are almost always rejected by record companies. One day Effendi is driven to make an agreement with his wife Arriany (Farida Arriany), that he will do all the household chores (cooking, washing, etc.), while Arriany creates songs. It turns out that Arriany's "composed" songs are accepted. In fact, they are Effendie's "fake" works. A prolonged argument arises. Their two children are out of control. Effendi's mother-in-law appears, then Effendi and Arriany make peace again, for the sake of the children.
Directed by Wim Umboh, Arriany leans on a strong ensemble — Kamsul, Farida Arriany, Wolly Sutinah — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1958.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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