
The winter is getting on. An impecunious couple hires the old man who is supposed to cut and pile up the firewood for them. In the evening the old man promises the couple to continue his work in the morning. But the next day the old man does not appear for work. Neither does he come for work during the following days. After some time a boy comes up to the frustrated couple and tells them about his grandfather’s death. He also says that before he died, the grandfather told the boy not to disgrace the family and finish the job.
Directed by Nana Dvalishvili, The Will leans on a strong ensemble — Rezo Chkhikvishvili, Nana Lortkipanidze, Nanuli Sarajishvili — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about drama titles of 1982.
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A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
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