
In 1979, Native Hawaiian poet Wayne Kaumualii Westlake (1947–1984) published MANIFESTO [for Concrete Poetry], a sardonic and avant-garde three-page poem that challenged the conventions of language and form. Reexamining the roots of Dadaism and the International Concrete Poetry movement of the 1950s, the film transforms text into a living, dynamic force—an interplay of words, sound, and movement that defies traditional narrative constraints.
Directed by Sebastian Galasso, Richard Hamasaki, Jody Stillwater, MANIFESTO FOR CONCRETE POETRY leans on a strong ensemble — Sebastian Galasso — to carry a story that balances spectacle with character.
The film landed with audiences for its craft and performances, and remains one of the most talked-about screen titles of 2024.
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